Kirsten Chambers is most known for her portrayal of the title role of SALOME, which she has sung at the Metropolitan Opera, Opera Hong Kong,  and with Florida Grand Opera.  


Her Carnegie Hall debut came on just two days’ notice when she sang the fiendishly difficult role of Maria in FRIEDENSTAG by Richard Strauss  with the American Symphony Orchestra.  Her 2016-17 season started when she joined the roster of the Metropolitan Opera for the first time this fall as a cover of Isolde in TRISTAN UND ISOLDE and rejoined the Metropolitan Opera roster last season for DIE WALKÜRE. 

Upcoming highlights for 2019-20 include returning to the Metropolitan Opera to cover Marie in WOZZECK, a return to Odyssey Opera to sing the title role in DIE ÄGYPTISCHE HELENA, and creating a new opera with White Snake Projects in Boston called I AM A DREAMER WHO NO LONGER DREAMS.  She is making both her house and role debut with Indianapolis Opera as Donna Anna in DON GIOVANNI.

Engagements for 2017-18 include Infantin in DER ZWERG with Odyssey Opera in Boston, the Angel in ANGELS IN AMERICA for New York City Opera, ERWARTUNG with The Orchestra Now, and the title role of SALOME with Florida Grand Opera.

Photo Credit: Dario Acosta

The 2015-16 season she debuted Foreign Princess in RUSALKA at Lyric Opera of Kansas City and Leonore in FIDELIO for the grand opening of New Amsterdam Opera.  For her performance at the Lyric Opera of Kansas City, she “sang convincingly as the beautiful, conniving Foreign Princess, without sacrificing great vocal sounds for characterization.” (The Examiner) 

Her 2014-15 season began with her exciting debut in the title role of SALOME at Opera Hong Kong, where “the depth of her performance grew widely as she exhibited the fitness of an athlete… The dramatic colour exhibited throughout her middle range and the defined delicacy of her high notes easy won the audience over.” (Opera Chaser)  For Opéra de Rennes, she reprised the role of Elsa in LOHENGRIN, described as “delicious with beautiful legato and radiant high notes.” (Opéra Magazine)

Photo Credit: Chris Karol

For 2013-14, she made her European debut with Savonlinna Opera Festival as Elsa in LOHENGRIN, with regard to her performance, Opera Magazine indicated that “Kirsten Chambers… wielded the evening's most convincing dramatic arc, her character maturing from innocent young girl to emotionally complex woman in the course of the story.“  She also appeared as a featured soloist in excerpts from LOHENGRIN with the Oulu Symphony in both Oulu and Helsinki and later at the Mikhailovsky Theatre in St Petersburg in promotional concerts for Savonlinna Opera Festival.  Ms. Chambers reprised the role of Elsa in LOHENGRIN for the Hong Kong Arts Festival.  In concert she performed Isolde’s Liebestod from TRISTAN UND ISOLDE with the Hong Kong Philharmonic and Brünnhilde’s Entrance from DIE WALKÜRE with Orchestra Kentucky.

Ms. Chambers' 2011-12 season started with a cover of the title role of TURANDOT with Arizona Opera and a concert performance of the title role of TOSCA with OPERA SARATOGA.  She made her Lincoln Center debut starring in the monodrama NORA, IN THE GREAT OUTDOORS with American Opera Projects. She has appeared with Toledo Opera to cover the title role in ARIADNE AUF NAXOS and sang Nedda in PAGLACCI with the Bronx Opera.  A champion of new music, Ms. Chambers has been recored on the Newport Classics Label and appeared numerous times with American Lyric Theater and American Opera Projects.